CG Supervision

Tools change every show. What doesn't change is the need for someone who knows why a shot is wrong, not just that it is — and who can align a team of artists around the fix fast enough to protect the schedule.

That's been the job on credits including Napoleon (dir. Ridley Scott), The Old Guard: Part Two (Netflix), and CG Supervisor on live show visuals for Anyma at Light VFX — leading teams through the shots nobody has already solved, translating client and director intent into a plan the team can actually execute, and making the fast calls that keep a show moving without sacrificing the work.